Frantz Fanon’s ‘Black Skin, White Masks’
Frantz Omar Fanon born in July 20, 1925 and
died in December 6, 1961.
‘Black Skin, White Masks’ remains his prominent
work which was published in 1952. It is basically his doctorate thesis on which
he achieved his doctorate degree in psychiatry. This is his well admired
non-fictional work, which criticises the condition of ‘Blacks’ among ‘Whites’.
He more focuses on inferior psychological condition of black people and
superiority complex in whites
Fanon divides his hypothesis into several
parts.
‘Black Man and the Language’, this part of the
hypothesis speaks of how language as a cultural tool works to take control over
others.
“When you speak Whiteman’s language, you take
on the world and their culture.” (Fanon)
Fanon argues that when you speak language of
others directly or indirectly you admire them as well their culture and it
began to shape you. Further he says “they start with simple “Hello” and ends it
their racist idea. “You speak such perfect French!” that, they never speak to
any White from the same university graduate.
‘The woman of colour and the White man’: this
part of thesis deals with deep psychology of a black woman or woman of colour
and their craving for a white man, not for love but it is for their individual
hang-ups.
“I only know his blue eyes, blunt hair and
light skin, so that I love him.” (Fanon)
‘The Black Man and the White Woman’: same way black man also craves for white woman
to satisfy their psyche and to beat down a white man’s superiority.
‘The White man and Psychopathology’: this is
the foremost part of Fanon’s hypothesis; which speaks of fear in white man’s
deep psyche for black man:
1. Blacks
are less immoral than an animal.
2. They
will take away white women.
‘Blacks are good in bed’ and they will snatch
away white women; this fear always tortures the white men.
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