Thursday, 6 April 2017

A Short Film review "for India of Tomorrow and In Defence of Freedom" (Manto)

Friends! here you will find the link of  a short film on Manto made by Nandita Das shared by Our Professor Dr. Dilip Barad.

https://www.youtube.com/watch?v=TFU281gOArk

First of all I am thankful to Prof. Dilip Barad for sharing this short film.

It has been only 1 and half year before, I came across the name ‘Sahdat Hasan Manto’, while my eldest sister was reviewing his book and she told me about Manto. My interest began to raise in his short- stories. And in last September I have presented one research paper on ‘Exiled and Banned writers and their selected works’; which also includes Manto’s ‘Khol Do’.

“If you find my stories dirty, the society you are living is dirty.  With my stories, I expose only truth.”
                                                        He further included,
“If you cannot bear these stories then the society is unbearable. Who am I to remove the clothes of this society, which itself is naked. I don’t even try to cover it, because it is not my job, that’s the job of dressmakers.”

In this 6 minute short film, Nandita has tried well to capture the major part of Manto’s nature. And I admires Nawazuddin Siddiqui; who plays a  role of Mnato, because he has been succeed to give enough justice to Mnto’s Character, we can see Manto in that classroom.

 

Some well-known quotes by Manto always lead me towards my sense of ‘self- critiquing.’ As we can have for i.e,

 

 

It is well-known that Manto lived his life in exiled; he was not accepted in India as well in Pakistan for his self- critiquing works.    He has been many a time imprisoned for his usage of naked (slang) or open language in his stories. There for i would like say,

         

“I have seen the people; who speak refined language to hide themselves behind masks, simultaneously I have seen the people; who speak naked, but there is nothing to hide with them.”

 

Ultimately, I found this short film truly mind captured, and also put me in dilemma to go deep into Manto’s life and study his background as its ends with an abrupt line by Manto “Even though I close my eyes, what will I do of my soul (internal side)?”


Left the end abrupt and open for the whatever interpretations or it can be taken as a question on himself!.

Online Discussion 4 on Dystopian Truth


Respected Sir,

Whatever Huxley in his Brave New World (1931) and Orwell in his ‘1984’ (1948) put forth the idea of ‘Democratic Nation- will not be the freedom actually but it will be the slavery. I do agree. Because, the way people in today’s world are actually watched by political leader, there is nothing remain private, there is always someone who keep their eyes on you. This idea was actually interwoven by referred both the authors before democracy established worldwide. At that time they faced resistance of their people and also abused for putting forth anti-national reviews. But, now it is the question that why those books are now a days became so popular among today’s mindsets? And its selling coast has been increased. Then what lead them to buy these books? These visionary writers has profoundly visualised the future of democratic nation; where people will be promised by double speakers, and their fake promises will be the hope of the nation. Their ‘peace’ is ‘war’, ‘slavery’ is the only ‘freedom’, ‘strength’ remains in ‘ignorance’, will lead the nation. 

Here, Orwell’s words seems true,

“Political Language is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind.”  
                 -Orwell in ‘Politics and the English Language, 1946.

As our political leaders do the same with us. Their fake promises make us to believe in them, their double speak hangs people between truth and lie. 

This online discussion is the part of our department activity. And i have share my comments here. 

Harry Potter Blog Task

Feminist reading of Harmione’s character in Harry Potter: How do the character portrayal of Harmione and other female characters support feminist discourse?

Hermione is the perfect example when examining the feminist principles in the novels. Throughout the series she has many strengths and weaknesses, but she is mostly criticized about her weaknesses as a character. She is attacked at school a lot for being too bossy, whiny, or studious, but these all ignore the fact that she has many strengths as well. The psychologist Gail Grynbaum states “Hermione is repeatedly the truth-sleuth, comfortable in the library, who finds the clue that makes sense of the mystery at hand. She is always the one standing at a crossroads pointing the way.”

 In the fourth novel, Harry Potter and the Goblet of Fire, Hermione shows her true feminist beliefs when she starts “The Society for the Promotion of Elfish Welfare” in order to showcase her ideals that house elves shouldn’t be treated poorly, and to help them get equal treatment. Many of Hermione’s friends grew up with house elves as servants, so they do not see anything wrong with the poor treatment of them, but since Hermione grew up in the real world, she is aware that it is not right to enslave anyone.

Withal Ron and Harry both knows that they can do nothing without her, but Ron denies Harry to tell her because of his male ego. Even though we find that Harmoine’s character has been subjugated as she was willed a story telling book by Dumbledore wherein Ron and Harry got something precious as a male identity of the novel.



 Discourse on the purity of Blood and Harry Potter: How do the novels play with the thesis of pure blood (Master Race) giving an anti-thesis by belonging protagonists to half-blood / Mud-blood? What sort of synthesis is sought in this discourse in Harry Potter series?

Concept of purity of blood (race) is very much present in the Harry Potter. Establishing social order by master race is not a new idea. Killing other as inferior race is very prominent in the history.
Now the point is that what is attacked by J.K. Rowling in the Harry Potter? And what she finally wants to establish as a conclusion by the thesis- antithesis on race?

Protagonist- Harry Potter and Hermione Granger are  Mud -blood. Ron Weasley is a pure blood. Draco Malfoy is also pure blood. Where as evil Voldemort is Mud Blood but craving for pure blood.
Rowling SUBVERTS the entire narrative by making protagonists who are mud bloods. And important thing is that they are equally or sometimes more powerful in magic than Pure blood. so, definitely it leads us to think that what should be criteria to judge the people - Race/ blood or merit?.


At the same time we have to keep in mind that Rowling is not despising Pure blood. Voldemort is evil and he is also mud blood. if writer make Voldemort as a pure blood, then definitely it is problematic.Witches and wizards consider themselves superior than non-magic people or non-human species like elves and giants. This act again shows racism working within the magical world. 


It is a satire on Voldemort kind of people that idea of superior race is dangerous/ harmful.  recent History has proved us that how dangerous it is.

many times reference comes in the novel they how pure blood were insulting mud bloods as inferior. And if we hear this kind of dialogue even today in and around us, then we've to be double careful.

The discourse of Power and Politics in
Harry Potter: How does Ministry of Magic
control the resistance? How do they prosecute
the ‘Other’?


It will be interesting if we bring in Michel Foucault's view regarding Power, knowledge and Politics.According to Foucault Knowledge is created by those who are in power position about Other. For Foucault, power and knowledge are created by discourse. Truth, morality and meaning reside within discourse,
Where is the politics in the novel? The answer is that ministry of magic is  the law making body in the wizarding world. The information about Hogward or magical world is kept secret from the non magical people. It is also controlled that one should not strictly do magic in front of muggles outside the Hogward. and if one does then they are punished. This control and punishment itself are the sufficient example of power and politics in Hogward.


Lets quote Foucalt's views abut power......


In his “History of Sexuality” Foucault approaches the concept of power in this manner:


“ power is everywhere, not because it embraces everything but because it comes from everywhere. And power insofar is repetitious, inert and self-reproducing…power is not an institution, not a structure; neither is it a certain strength we are endowed with it; it is the name of a complex strategical situation in a particular society.”   

   
We can also apply Althusser's concept of ISA- ideological State Apparatus, Where Ministry of Magic functioning as a ISA.  they defy rules to gain knowledge. At the same Other (Students) those who are not in power position they are constantly under SURVEILLANCE. There are always two - one who Sees and other are being seen.(The kind of  phobia of constantly seen by somebody CCTV as shown in 1984 by George Orwell is also present here)  but one is trapped in this ideology. of one wants to get real/ true knowledge then they've to break the rules.


The specific function of a school means that essentially a power structure. Starting from the headmaster, professors, students and finally servants- Hogwarts presents a HIERARCHICAL POWER STRUCTURES  Students are split up in houses and each house has a common room that is accessed through a secret password. In order to navigate the school the students must be aware of the rules, the signs and symbols that regulate life. Harry Potter manages to defy these rules by gaining knowledge of the castle’s secret passages from the maradaurer’s map. (htt25)

Works Cited


<http://nimeshdave22.blogspot.in/2016/03/harry-potter-by-jk-rowling.html >.





                                                                                          

Monday, 3 April 2017

‘Study on Exiled or Banned writers and their selected works in disposal to cultural paradigms’

‘Study on Exiled or Banned writers and their selected works in disposal to cultural paradigms’

Two major texts- Taslima Nasrin – Lajja, Saadat Hasan Manto – Khol Do, Dan Brown – Da Vinci Code (Precisely)

Abstract:
 “A literary work must be an ice axe to break the sea frozen inside us.”
-         Franz Kafka.
Literature is not always about what one praises; it is more about those truths which are still covered under many layers of lies and disbeliefs and when a writer unwrap those layers, the sensibilities of people gets hurt. The reaction then comes is to ban that critical or artistic work, withal force that writer or artist to leave his country and live an exile life because, people can’t handle the truths in easier way as well they can’t deal with truth- givers.
There is always a belief that a writer’s pen is never inferior to a warrior’s sward. Because a true writer reveals the facts, never paint another layer on it. It mostly happens when a writer deconstructs the traditional ideas and tries to build a logical argument; at that point most probable time the religious as well the cultural values are challenged by that author.
Many such writers and artists have tried to reform the cultural and traditional as well religious values of the society with picking up their pens and brushes, so they were quite not accepted by the people and also were re-challenged by the political power or religious authorities!
Out of those, few selective writers are discussed here in this research paper-work.  
Key words:
Literature- with more bitter truth
Ban- which is a forceful act to prohibit something by authority (can be political, religious as well social or cultural).
Exiled- Exile is not always what an individual is forced to leave his countries, but also when they are implied to stop doing what they do while living in that nation. Sometimes it is self implemented by that person to stop doing the thing because of unacceptability.
Introduction
Definition of the word literature tends to be circular. The 11th edition of Merriam- Webster’s Collegiate Dictionary considers literature to be “writing having excellence of form or expression and expressing ideas of permanent or universal interest.” The 19th century critic Walter Pater referred to “the matter of imaginative or artistic literature” as a “transcript, not of mere fact, but of fact in its infinitely varied forms.” Literature may be classified according to a variety of systems, including language, national origin, historical period, genre, and subject matter. (Rexroth)
As we can say literature is mirror of the society, it reflects social pathos, its hierarchical structure, cultural values as well political affairs and religious importance; it also reflects human interrelationships as well historical truths. That is why it is believed that literature is truly a depiction of social or cultural as well political paradigms of specific era.
But, literature is not always about what one praises; it is more about those truths which are still covered under many layers of lies and disbeliefs. As Franz Kafka says, “A literary work must be an ice axe to break the sea frozen inside us.”
Literature should be more truthful and candid. As one said “it should be a hammer stroke”, which can shape the society. But when a writer tries to deconstruct those old ideas or historical truths withal unwraps those deep layers then they become quite unaccepted by the people.     
Numerous times it happens that these paradigms are challenged or re challenged by several authors and artists along with people’s sensibilities gets hurt when it happens. Then the outcome is those writers or artists are banned to read as well they are no more allowed to publish their critical or artistic works.  Several times it happens that those are force to leave their country and live an exile life in some host land. Exile is not always when one forced to leave his country, but also when they are implied to stop doing what they do while living in that nation. Sometimes it is self implemented by that person to stop doing the thing because of unacceptability. Here we can refer that,
“People can’t handle the truths in easier way as well they cannot deal with truth- givers.”
Research:
Banning in broad-spectrum:



If we glance on banning the things, now-a-days has become a propensity. It is not that it is trend of contemporary world. It has been started in very earlier time. Apart from literature banning is happened in normal life as well. Most probable time prohibitions are implied on women. Like in mosques, similarly in many other temples women are not allowed to enter. Moreover, outfits of the women are more criticized. As recently in France, at Parish there is fatwa on ‘Burquinies’. France had put a ban on wearing buruinies, which is a swimming suit designed for Muslim women and it covers the body completely, on its beaches on the basis that it was against the laws of secularism. Thus, it is not that the banning is happening only in third world countries it is as well a part of first world countries.
There are some major concerns of making things banned:



In literature there are few renowned writers who were banned under some fastidious reasons for their specific work:
The history of book banning reflects the history of social fear, communal or religious fear likewise political.
1. Taslima Nasrin banned for ‘Lajja’: Communal/religious concern.


Taslima Nasrin was born to Rajab Ali and Edul Ara in town of Mymensingh, on 25 Aug, 1962. She Is a Bangladeshi Author. She is gynecologist by her education. However, she became an atheist over time. In course of writing she took feminist approach. Early in her literary career, she wrote mainly poetry between 1982 and 1993. But, in 1993 novel ‘Lajja’ or ‘Shame’ (in English), in which a Hindu family is fighting against Muslims. This publication changed her life and career dramatically.  (Thakar)
Throughout this Novel Nasrin has not only a satire on Bangladeshi Muslim Community but also satires on Indian Hindu Community; who thinks of those minority groups of Muslim in India and not for those Hindus who are as well in minority at other neighboring countries: Bangladesh and Pakistan.
‘Lajja’ opens with 6th December 1992 on the demolition of Babri Masjid in Ayodhya, India. In reaction to that Muslims of Bangladesh becomes violent in their nation and Muslim mobs begin to seek out and attack the Hindus of Bangladesh. The Duttas- Sudhamoy, Kironmoyee, and their two children, Suranjan and Nilanjana (Maya); who are living in Bangladesh all their lives. However, the fire of communal rioting erupts, and Dutta family feels and faces the heat of the communal hatred. Each member of the family feels about this in his/ her own ways. Despite of being part of the country’s small Hindu Community that is terrorized at every opportunity by Muslim Fundamentalists, they refuse to leave their country, as most of their friends and relatives have done. In fact whenever Sudhamoy advices to shift to the India he says, “One should feel shame even to think of leaving his own country or a homeland.”  Sudhamoy, an atheist, believes with a native mix of optimism and idealism that his motherland will not let him down. Each day they are finding more difficulties there, the Muslim mobs are abolishing numerous Hindu temples, burnt houses of Hindu families, raps Hindu women and somewhere also left them to burn alive with those houses, they do loot and also burn the Indian embassy withal holler out the cruel slogans like, “Ak d( *hnd$ wir(, s_bih siimi niistii kr(”.   
                                                                                                (Sarkar, Munmun)
Suranjan who is in love with one Muslim girl Parveen could not marry her because of their religious differences and Maya who is also in love with one Muslim boy Haider, leaves her home to save her life and decided to go to her Muslim lover; who also first beat off and then raped later she killed by one Muslim mob of seven or eight people. Suranjan also throw his outburst, his anger and his frustration through raping a Muslim woman (who is a prostitute). He does this desperately because he thinks that a Hindu knows how to rap a woman, they are equally capable to rap a Muslim woman as Muslims are doing with Hindu women. Then even he feels restless and shame on his deed.
This novel has very pessimistic end; by the end of the novel Sudhamoy convinced to go to India. He accepts to leave his own country, his homeland in very disgraceful tone. Through, which Nasrin reflects the worst condition of minority among majority; they are never accepted by people in majority.
One of the main thematic orientation of the novel is around the concept of women – their position, their integrity, the moral responsibility of the society towards them, and their victimization at the hand of men who treat women similarly as they treat their lands, reducing them to mere objects and properties. (ter) The condition of women whether she is Hindu or Muslim, a woman suffers the most whenever this type of riots happens. Thus ‘The Shame’ lies not in rapping women only, but taking women as the easiest target for crude physical satiation in the name of religion and ideologies. (ter)
Nasrin takes the pain to keep a record of numerous newspaper articles, incorporate them within the narrative to show the shame, the “Lajja” of humanity. (ter) Therefore, Nasrin suffered a number of physical and other attacks following the publication of Lajja. She had written against Islamic Philosophy, angering many Muslims of Bangladesh, who called for a ban on her novel. In October 1993, a radical fundamentalist group called the Council of Islamic Soldiers offered a bounty for her death. She claims for abolition of ‘Sharia (the religious laws based on the Koran that Muslims follows)’, A few hundred or thousand demonstrators called her “an apostate appointed by imperial force of vilify Islam”. At the end of 1994 she was exiled from her own country ‘Bangladesh’.
                                                                                                     (Thakar)   
As Mahesh Dattani in his play “Final Solution”, deals with same issue of communal priorities according majority and minority. The situation is bit different here; he depicts the worst situation of Muslims among Hindu Majority. By the end of the play he puts one insignia, which represents there is no final solution for communal problems.
 
One appropriate quote, which is spoken by Taslima Nasrin in ‘Lajja’, is,
“Peace is the ultimate goal of all religions but even at the end of this century we continue to see how religion is the cause of much strife, bloodshed and disgrace among human beings. Nothing but the flag of religion can crush beings and human emotions so completely.”
                                                                                   
                                                            
2. Sadat Hasan Manto banned for ‘Khol Do’: social/cultural concern
Manto born on may 11, 1912. In Panjab, British India and died on Jan 18, 1955; at the age of 42 in Lahor, Panjab, at Pakistan, (his nationality was ‘Pakistani’). He was a novelist, playwright, essayist, screen writer and short story writer, and a keen observer of the society in which he lived. Unlike many others, Manto does not see the perpetrators as Hindu or Muslim, Hindustanis or Pakistanis, he just sees and depicts them as human beings with all their wilderness and barbarity.
                                                                                                (Thakar)
Manto chronicled the chaos that prevailed, during and after the partition of India in 1947. He started his literary career translating work of literary giants, such as Victor Hugo, Oscar Wilde and Russian writers such as Chekhov and Gorky. His first story was “Tamasha”, based on the Jallianwala Bagh massacre at Amritsar. Though his earlier works, influenced by the progressive writers of his times, showed a marked leftist and socialist leaning, his later work progressively became stark in portraying the darkness of the human psyche, as humanist values progressively declined around the partition.
                                                                                                (htt12)
Saadat Hasan Manto is often compared with D. H. Lawrence, partly because he wrote about taboos of Indo- Pakistani society. His concerns on the socio- political issues, from local to global are revealed in his series.   
“Khol Do” is one of the most famous and controversial stories of Manto. It is one of the masterpieces depicting the effects of violence during the partition of India on the people of the land.
 “Khol Do” is depiction of women endangerment in Pakistan; it was time of 1947 when Pakistan had become a free nation. Sirajuddin who recently lost his wife who is no more alive; whereas his daughter ‘Sakina’ is lost somewhere in crowd of screaming men, women and children. She is extremely beautiful girl of seventeen. A father asks for a help to a squad of few young army men who were having guns on their shoulders, they console him that they will find his daughter. After some days when Sirajuddin found some sudden activity was happening in army camp. He saw four men were carrying the body of a young girl found unconscious near the railway tracks. They were taking her to camp hospital. He followed them. He stood outside the hospital for a while then he went in. In one of the rooms, he found a stretcher with someone lying on it.
A light was switched on. It was a young woman with a mole on her left cheek. “Sakina!” Sirajuddin screamed.
“I am her father,” he stammered. The doctor looked at the prostrate body and felt for the pulse. Then he said to the old man, “Open the window.”
The young woman on stretcher moved slightly. Her hands groped for the cord which kept her salwar tied around her waist. With painful slowness, she unfastened it, pulled the garment down and opened her things.
“She is alive. My daughter is alive,” Sirajuddin shouted with joy. The doctor broke into a cold sweat.
                                                                                    (Urduwallahs in Urdu Musings)
Shocked… to think of what would have happened to a girl of 17, who just hearing “Khol do” opens down her salwar in spontaneous reflex, shocked with the capacity of Manto to see, perceive, and depict the truth as naked as it is, shocked with the courage of a writer to write such a self-critical thing (those boys were on his side of the border)… And the government charged Saadat Hasan Manto for the charges of pornography.
Manto was banned for using sexuality and naked language in his stories. Few critics also considered him as ‘vulgar’.  Manto used to say that,
“If you find my stories dirty, the society you are living is dirty.  With my stories, I expose only truth.”
                                                                                                (Thakar)
He further included,
“If you cannot bear these stories then the society is unbearable. Who am I to remove the clothes of this society, which itself is naked. I don’t even try to cover it, because it is not my job, that’s the job of dressmakers.”
                                                                                                (htt11)
3 Dan Brown banned for ‘The Da Vinci Code’ (precisely): religious/patriarchal concern.
Daniel "Dan" Brown, best-selling author of 'The Da Vinci Code' was born on June 22, 1964, is an American author of thriller fiction. He is influenced by Leonardo da Vinci, William Shakespeare, Sidney Seldom, Harlan Coben, and Robert Ludlum.
Controversy on ‘Da Vinci Code’:
In Brown’s novel, the ‘Da Vinci Code’ refers to cryptic messages supposedly incorporated by Leonardo Da Vinci into his artwork. According to the novel, Leonardo was a member of an ancient secret society called the “Priory of Sion.”
Brown directly attacks on the deep root of Christianity. He in his novel shows the ‘blood line’ of Jesus Christ. His message was about the celebration of the “sacred feminine,” that Jesus and Mary Magdalene were married. It also attacks on root of ‘Patriarchy’ in the society. Thus, it avoids Jesus as a divinity and considered him as a mortal.
                                                                                                (Thakar)
It has created biggest controversy in U.S.A. People were abused him and thrown stones at his house. They burnt books of his novel on streets. It shows their insecurity toward their patriarchal paradigms, which were unwrapped by Brown in his novel. This riot happens under religious as well socio- cultural and patriarchal insecurities.
But, “Those who banned by the people for their critical works, they read the most by the people.”
Those who were banned once upon a time, we considers them as classic now; those who were abused and unaccepted by people in their lifetime, later admires a lot by people.
‘Lajja’ by Taslima Nasrin, later translated into many languages, not only in various Indian languages but also in: French, Dutch, German, English, Spanish, Italian, Norwegian, Finnish, Icelandic, Persian, and Arabic as so.                                                                                                  (htt10)
She won near about 39 awards from deferent countries. Few of them are,
  • Anand Purskar, India, 1992
  • Natyasava Award, Bangladesh, 1992
  • Sakharov Prize for Freedom of Thoughts from the European Parliament, 1994
  • Human Rights Award from the Government of France, 1994
(htt13)

Manto who was not read throughout his life time. He became a quite popular after his death and 60 years after his death, Manto still continues to haunts us with a strange and morbid relish.
                                                                                                (htt9)
Dan Brown’s novel ‘Da Vinci Code’ banned for its decoding of secrets of Christianity. Though he became best-seller for selling more than 3 million copies, then over 40 million were in print. Later it also converted into movie version by Ron Howard (an American well-known director).
                                                                                                (Thakar) 

Summing up:
I have tried to justify the topic with my limited knowledge and I arouse at the conclusion that at some extent I slightly not agree to those people who do not accept the reality the way it is. Reality always remains harsh and bitter. Manto in response to a court judge said that,
“A writer picks up his pen only when his sensibility is hurt.”
There is one saying that “when one learns to self critiquing, the reformation of individual or a nation can be pave a new way of progress.” But, whenever it happens it has brought chaoses among civilians. Whenever one tried to self critiquing or deconstruct those ancient ideas, historical truths or pathos or else tried to depict the social realities they are roughly treated by their own people rather give them chance to put their argument they are banned to read as well force to leave their country and roam for the shelter. They are taken away the platform which they disserve perhaps. It suggests nothing than that people are still slave of their mentality and doesn’t want to detach their clutches from their fake stubbornness.    
As Manto had rightly said that,
“Hindustan had become free. Pakistan had become independent soon after its inception but man was still slave both these countries—slave of Prejudices… slave of religious fanaticism… slave of barbarity and inhumanity.”
                                                                                            (htt11)    
It happens everywhere not only in Hindustan or Pakistan. Whenever the authority is challenged by any individual or a group they are re- challenged by those authorities weather it is social or cultural, political or religious. To draw a new line doesn’t mean that it tries to remove previous as well it is the truth that whenever a new line up to drawn the previous is vanished, but all have that fear is to lose their identity which they have constructed.
Everyone has their own perception of truth, as Jalaluddin Rumi said,
“The truth was a mirror in the hands of God. It fell, and broke into pieces. Everybody took a piece of it, and they looked at it and thought they had the truth.”
I want to end my discussion with still some questions! For their answers I am at a standstill in dilemma, I am still in quest.
1)    Why in Democratic Nation one is forced to suppress his/her voice?
2)    Why people cannot accept the change or different point of view by other one?
3)    When we try to be detached completely with those old clutches of which we have become self- slave?   

Apart from Discourse:
Some other writers and artists who were also become part of controversies:
Writer or Artist
Their Name
Their work form
Their Work/ Works
Reason/s of banning
‘Concern’ relates
Writer
D.H.Lawrence
Novel
‘Sons and Lovers’
Depiction of Oedipus complex
Social or Cultural
Writer
Toni Morrison
Novel
‘Be loved’
Depiction of sexuality
Social or Cultural
Writer
Salman Rushdie
Novel
‘Satanic Verses’
---------
Religious
Artist
Raja Ravi Varma
Paintings
Paintings of God and Goddesses, as well apsaras form Mahabharata and Ramayana.
Depiction of Sexuality, and Nudity
Religious as well Social or Cultural

Few movies which became part of imbroglio (controversy) in between 2013 to 2016
Movie Names
Year of Banned & Release
Concern of Banning
Ram- Leela
2013, India
Communal concern
Bajirao- Mastani
2015, India
Historical concern
P. K.
2014, India
Religious concern
Rang Rasiya, (depicting life of Raja Ravi Varma)
2014, India
Social/ Cultural concern, Religious concern
                                                                                                            (Thakar)



Works Cited

<http://www.dailyo.in/arts/saadat-hasan-manto-india-pak-urdu-bombay-lahore-obscenity-muhammad-umar-memon-my-name-is-radha/story/1/6086.html>.
<https://en.wikipedia.org/wiki/Taslima_Nasrin>.
<http://www.goodreads.com/author/show/263878.Saadat_Hasan_Manto>.
<https://en.wikipedia.org/wiki/Saadat_Hasan_Manto>.
<https://en.wikipedia.org/wiki/Taslima_Nasrin>.
<terrainsandtropes.wordpress.com/201...>.
5- reasons-raja0-ravi-varma-king-controversies. 10 september 2016 <https://www.friedeye.com/freshfries/5-reasons-raja-ravi-varma-king-controversies/>.
Rexroth, Kenneth. Britannica.comLiterature. 10 september 2016.
Sarkar, Munmun. "Lajja." Nasrin, Taslima. Lajja. New Delhi: Hindi Vani Prakashan, 2013. 17.
Thakar, Jayti. <http://www.slideshare.net/JaytiThakar94/study-on-exiled-or-banned-writers-in-respect-to-cultural-studieshttp://www.slideshare.net/JaytiThakar94/study-on-exiled-or-banned-writers-in-respect-to-cultural-studies>.
Urduwallahs in Urdu Musings, Urdu Poetry and Texts. "Khol Do- Saadat Hasan Manto." Khol Do- Open It. Urduwallahs , 02 August 2014.